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Dayna Anderson wraps up a 34-year teaching career with ‘Comedy of Errors’

'Comedy of Errors'

Catawba offers “Comedy of Errors” Feb. 24-28

By Daisha Stafford and Lauren Stacks, Catawba College students

Using the ancient Italian art form, Commedia dell’Arte, Catawba College’s theatre arts department will zoom in on the people of Ephesus in William Shakespeare’s “Comedy of Errors.”

The show will take place in Hedrick Little Theatre Feb. 24-28 at and runs at 7:30 p.m. each night.

In this monumental collaboration, theatre arts professors Dayna Anderson and Meredith Fox combine their expert knowledge to create a wildly different theatrical experience.

This will be the last show that Anderson directs before she retires at the end of May after a 34-year career at Catawba. Fox, a 2007 Catawba College graduate and former student of Anderson’s, is also a graduate of the Accademia dell’Arte. Fox, working with Commedia Captain, student Verity Pryor Hardin of Abilene, Texas, has trained the show’s actors in the 16th century masked art of Commedia dell’Arte.

With the archetypal highly stylized form, Fox challenges her actors to “go big or go home.” Through combined creativity, Anderson and Fox’s vibrant cast brings to life an Italian town brimming with mistaken identity, lust, and social tension.

Enter Egeon, a merchant of Syracuse, on a mission to find his family. Egeon has been sentenced to death in Ephesus for traveling between two rival cities. On the way to his death, Egeon explains that he came to Syracuse to find his wife and other twin son, who were separated from him 25 years before due to a shipwreck.

Thus enter the twins, Antipholus and Dromio of Syracuse and Antipholus and Dromio of Ephesus. As the other characters struggle to keep the twins’ identities straight, lazzi fueled hilarity ensues, animating this one-of-a-kind production of “Comedy of Errors.”

Cast members include Maddy Auchter of Houston, Texas as Luciana; Addison Bevis of Salisbury as Second Merchant; Chaz Cable of Weaverville as Dromio of Ephesus; Alex Donato of Staunton, Virginia as Antipholus of Syracuse; Matt Ensely of Concord, as Antipholus of Ephesus; George Glass from of Charlotte as Duke Solinus and Luce; Anna Kate Hall from Asheville as Abbess & Balthasar; Joan Hedrick of Elon as Doctor Pinch; Cierra McDonald of Seagrove as Dromio of Syracuse; Maggie Saunders of Huntington, West Virginia as Adriana; Morgan L. Summers of Gastonia as First Merchant and Courtesan; Collette Simpkins of Baltimore, Maryland as Egeon and Alex Thompson of Winston Salem as Angelo.

Tickets are $12 for adults and $10 for non-Catawba students and senior citizens. These are available online at www.catawba.edu/theatretix or at the box office the night of the performance. In honor of National Shakespeare Day, all tickets to the show on Feb. 26 are free. The show is rated G, good for all ages.

Catawba College News Service

Longtime Catawba College theatre arts Professor Dayna Anderson will direct the last production before her retirement when the college offers Shakespeare’s “Comedy of Errors” at 7:30 p.m. Feb. 24-28 in Hedrick Little Theatre.

Anderson didn’t personally choose this play as the last one she would direct in her 34-year tenure, but she says it is more than fitting.

“It’s the best show we could choose to include in our season, for our department, for our students and our faculty, and I got the largess of it all,” she says, smiling.

The show has given her a chance to collaborate with her colleagues, including one of her former students, Meredith Fox, who has returned to her alma mater as a theatre arts faculty member after earning her master’s of fine arts at Accademia dell’Arte in Arrezo, Italy.

It was Fox, Anderson explains, who suggested that masks be used in this production, in the tradition of Italian Commedia. Fox also assists Anderson in directing the Lazzi and Commedia Movement for characters in “Comedy of Errors.”

Mask-making for the production required all hands on deck. Anderson found a video of a mask-making technique that used a simple vacuum form machine to make children’s Halloween masks. That video prompted her to suggest that she and her theatre arts colleagues build their own vacuum form machine and adapt that technique for creating their show masks.

That is exactly what they did – shop manager Craig Kolkebeck and theatre arts professor and chair Christopher Zink built the machine. Catawba art professor Ashley Pierce made some clay noses, cheeks and brows and assisted the cast members in sculpting other shapes out of soft clay. Theatre arts professor David Pulliam coordinated two days of mask-making workshops with the department’s students.

The results she saw gave Anderson some moments of insightful reflection – she located a plaster of Paris mask of her face that she had made over 30 years before for use in a production of “The Madwoman of Chailotte.” The differences and similarities between this mask and the masks created for “Comedy of Errors” caused her to consider time and its passage.

“It’s me, but it’s not me,” she says of her 30-year-old mask. “It’s the youthful me and a reminder of how much we change not just on the outside, but on the inside over the decades.”

“I would not give up a wrinkle or a scar because the physical is fleeting. ‘Comedy of Errors’ deals with time and how slippery it is, and witchy it is, and how it slips back on itself and begins again,” she added.

Noting that a large clock on stage is the only scenic element used in the upcoming production, she paraphrases Shakespeare: “Time goes backwards and forwards, and you can’t depend on it to measure your life.”

“No, I did not choose this production (to be the last she directs at Catawba), but I got chosen. It’s almost like I got schooled.”

“Comedy of Errors,” Shakespeare’s shortest play, features two long-separated brothers (twins), their two tricky servants (also twins) and two lusty wenches (not twins, merely sisters) who romp through mistaken identities, past confusion, slapstick humor and plenty of pratfalls. Although the play’s dialogue is traditional, its set and costumes throw in a bit of Picasso-esque whimsy. That combination suits Anderson just fine.

“As long as you learn as much from your students as you try to teach them, that sustains you. I have had a fulfilled life in theatre – it’s had my heart for all of this time. It’s not a romantic life at all. It’s gritty and tough, and worth sticking with, like everything worth having.

“I’ve never regretted a single moment I’ve spent in the pursuit of theatre and I cannot say that about anything else in my life. Theatre is elusive and it changes, and you change, and your vision of it is constantly changing. Theatre is the most public and the most personal of all the arts and every single show we direct is a journey into someone’s psyche and into a knowledge base we’re unfamiliar with.

“Theatre is an element of change and that’s what college is. People come whether audience member or students and they leave changed. What a blessing is has been for me to be a part of that.”

Although one chapter in her life is concluding, another will be unfolding when Anderson retires at the end of May. She will move from developing and training students in all aspects of theatre to raising and training K-9 companions for work as service dogs. She shares that a friend told her: “You’re just going to be doing exactly the same thing, but your new students will have fuzzy faces.”

For Anderson, it seems a bit more than that. She will be following in her father’s footsteps; he raised field dogs and she will be raising Labs and Golden Retrievers to work as service companions. “I can’t think of a better way to give back,” she says.

She will leave Catawba proud “of advances we’ve made for the female students in the Theatre Arts Department and at the college.” She will leave without sadness knowing that “every exit is an entry into another play,” and as if in satisfied conclusion, she firmly quotes Babe, the pig: “That’ll do.”

Anderson joined the faculty in Catawba Theatre Arts Department in 1981. A specialist in performance theory, she is most recognized for her work with actors who are just beginning their performance art, particularly women.

Selected for post graduate study in acting, her experiences include study with the National Endowment for the Humanities and the American Theatre Association’s Conference on Women in Theatre. Many other post graduate acting studies have been in the Alexander Technique. Anderson’s long commitment to the Alexander Technique has lasted almost 30 years, culminating with her graduation from the Alexander Alliance in Philadelphia and marking her as a teacher uniquely versed in both the American and British approaches to the Alexander Technique.

As a director, more than 50 percent of Anderson’s productions have been at Catawba where she has offered students a wide and meaningful range of performance opportunities. Honored by Catawba College for her pedagogical skills and creative teaching, she was awarded the Swink Award for Classroom Teaching in 1998. She was inducted into Catawba’s Blue Masque Hall of Fame in 2012.

Catawba Theatre Arts alumni are invited to attend the show’s Feb. 26 performance to pay special tribute to Anderson for her service to the college.

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